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There's a larger story that I tell with my photographs: this world, reality, and our relationship with reality is mysterious and uncertain. Further, what we presume to be fixed and solid is evanescent and dreamlike. The artifacts and phenomena I shoot, the filtration, the film I shoot with, the way I develop the negative and scan it is all aimed at telling the larger story that reality is no more fixed or permanent than the glimmering play of sunlight on the sea and clouds in a windswept sky.
All my work is captured with film. I shoot with Pentax 6x7 and Mamiya RB67 medium format cameras, and develop, scan and retouch all my own negatives. I also shoot instant film. For earlier work I used Polaroid 4x5 film. Now that Polaroid isn't available, I use expired Fuji FP-100.
Feature Films: Forty Shades of Blue, Grand Jury Prize, Sundance Film Festival, 2005.
Music Videos: Greenday, Time of Your Life/Good Riddance; Avril Lavigne, Nobody's Home; Korn, Freak on a Leash
As Hollywood Assistant Photographer: The Game, Seven, Lethal Weapon 3, Basic Instinct, Maverick, Demolition Man
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